Symphony No. 15
In the spring of 1971, Shostakovich began work on his next (and, as it turned out, last) symphony. He intended for ‘this opus to be a gift to myself for my sixty-fifth birthday. …When I began the score, I even told [Boris] Tishchenko: ‘I want to compose a cheerful symphony’.’1 The first movement was composed in June of the same year in Kurgan, where Shostakovich was undergoing treatment at the clinic of famous physician Gavriil Ilizarov. Work on the symphony continued in July in Repino, at the Guest House for Composers; the score was finished on 29 July.
he premiere of the Fifteenth Symphony was performed on 8 January 1972 in the Grand Hall of the Moscow Conservatory by the All-Union Radio and Television Symphony Orchestra conducted by Maxim Shostakovich. Subsequent performances were given on 24 March 1972 in the same place by the USSR State Symphony Orchestra conducted by Yevgeny Svetlanov; and on 5 May 1972 in Leningrad, in the Grand Hall of the Philharmonic, by the Leningrad Philharmonic Orchestra under Yevgeny Mravinsky. The first performance outside Moscow and Leningrad was held on 5 June 1972 in Sverdlovsk, conducted by Nariman Chunikhin. During 1972, the symphony was performed for the first time in several other cities of the Soviet Union, including Riga (Kirill Kondrashin), Saratov (Gennady Provatorov), Odessa (Roman Matsov), Petrozavodsk (Fyodor Glushchenko), Minsk (Yury Efi- mov) and Baku, as well as in the GDR (East Berlin, the USSR State Symphony Orchestra, Yevgeny Svetlanov), Great Britain (London, New Philharmonia, Maxim Shostakovich), the US (Philadelphia Orchestra, Eugene Ormandy), Czechoslovakia, Japan, and other countries.
During the composer’s life, gramophone records came out of performances of the symphony conducted by Maxim Shostakovich (1972, studio), Yevgeny Mravinsky (1972, live), Eugene Ormandy (1972), Kirill Kondrashin (1974), and others.
In August 1972 Viktor Derevyanko, with the assistance of Mark Pekarsky, arranged the Fifteenth Symphony for violin, cello, piano (also celesta) and percussion (3 or 4 performers, 13 instruments). This arrangement was authorised by the composer and received the opus number 141a. Its first performance was held on 30 October 1972 at the All-Union House of Composers (VDK) in Moscow with Valeriya Vilker, Mark Drobinsky, Viktor Derevyanko, Alla Mamyko, Valentin Snegirev, and B. Stepanov.