Symphonies

Symphony No. 2. “Dedication to Oсtober”

Opus 14
1927

Premiere:

05 November 1927

Leningrad Philharmonic Great Hall. Leningrad Philharmony Symphony Orchestra and Leningrad State Academic Capella. Conductor N. Malko.
First publication:

Moscow, Muzyka
Manuscripts

RGALI, f. 653, op. 1, unit 2270

Premiere: November 5, 1927.
Great Hall of the Leningrad Philharmonia. Symphony Orchestra of the Leningrad Philharmonia and the choir of the Leningrad State Academic Capella. Conductor N. Malko.

“

In 'October' I tried to convey the pathos of struggle and victory. I introduced into the arrangement a system of ultra-polyphony (27 simultaneous lines of sound). It sounds very dynamic.

D. Shostakovich's report written as a post-graduate of the Leningrad State Conservatoire - undated

“

The ultra-polyphony passing into a polyphonic timbre turned out successfully.
The whole work is predominantly polyphonic. I made use of a canon and a fugue. The music for the chorus is arranged diatonically. The exposition of the whole work is dialectic and linear.

D. Shostakovich's report written as a post-graduate of the Leningrad State Conservatoire... May 1928

“

There were only six rehearsals... the first was a trial run... I was present at a ll the other rehearsals and kept on giving Malko instructions... The choir sounds fine. By the way, in the choral part there is a small pause after the words 'bears the name of struggle!' The string players refused categorically to playpizzicato. I'd stake my life on the fact that the pizzicato is playable, but if a novice composer writes something difficult, the orchestra will maintain that it is impossible to play. I had to give in and accept arco... I still hope that one day this passage will be played properly.

From a letter... November 1927

“

As far as the working-class public is concerned 'October' has convinced me that the path I set out on is the right one. When I am composing, I always bear in mind the following. Accessibility and clarity for the mass audience are crucial: the mass audience is the only true judge of music, because music is one of the arts with the widest mass appeal.

D. Shostakovich's report written as a post-graduate of the Leningrad State Conservatoire... undated

“

Shostakovich's 'October' enjoyed outstanding success... The overwhelming sounds with their impetuous momentum grip the audience like a whirlwind and carry it away, aloft to victory... Shostakovich had almost a dozen curtain-calls.

"Smena" - November 29, 1927

“

Shostakovich's 'October' is imbued with the pathos of the masses in revolt, which he has captured so perfectly.

"Krasnaya Gazeta" - November 9, 1927

Symphony No.2 "October"

with a final chorus to words by A. Bezymensky, for choir and orchestra

Largo
Poco meno mosso
Allegro molto
Meno mosso (without a break)

Duration: 20'.

The Second Symphony “Dedication to October” with the finale sung by a choir to the words of Aleksandr Bezymensky, Op. 14, was written in 1927.

The Publicity Department of the State Publishing House Music Sector asked Shostakovich to write a symphony for the 10th anniversary of the October Revolution. The composer received the official order at the end of March1927, and as early as the beginning of June, the composer told the head of the Publicity Department, Lev Shulgin, who initiated the order, that he had already finished more than half of the score.

Shostakovich did not call this work a symphony at first. In the cited letter to Shulgin, he says, “I am wondering about the title...I think ‘symphonic poem’ would suit it best of all...”. After finishing the score, he defined its genre as a “symphonic dedication”. The composition was first performed and printed with this subtitle.

The premiere of the Second Symphony was held on 5 November 1927 in the Grand Hall of the Leningrad Philharmonic during a festive concert for the Leningrad Education Employees Union. The symphony was performed by the Leningrad Philharmonic Symphonic Orchestra and Academy Capelle Choir under the button of Nikolai Malko.

Recordings:

- London Symphony Orchestra "London voices". Conductor: Rostropovich M.L. 1994 TELDEC 4509-90853-2, 1994
- Air Force Symphony Orchestra. Jeffrey Mitchell Choir. Conductor: Elder M. 1994 BBC MM50, 1996
- Symphony Orchestra and Cologne Radio Choir. Conductor: Barshai R. B. 1995 Brilliant Classics 6275-1, 2001
- Gürzenich-Orchester (Cologne). Prague Philharmonic Choir. Conductor: Kitaenko D.G. 2004 CAPRICCIO 71 031, 2005
- London Symphony Orchestra, "London voices". Conductor: Rostropovich M.L. 1993 TELDEC 0630-17046-2, 4509-90853-2, 1997
- London Philharmonic Orchestra, London Philharmonic Choir. Conductor: Haitink B. 1981 LONDON 444 430-2 L C 11, 432-2, 1995
- Milan Symphony Orchestra and Giuseppe Verdi Choir. Conductor: Cayetani O. 2005 ARTS 47705-8 SACD, 2006
- Royal Philharmonic Orchestra, Brighton Festival Chorus. Conductor: Ashkenazi V.D. 1994 DECCA 436 762-2 D H
- Academic Symphony Orchestra of the Moscow State Philharmonic Society State Academic Republican Choir. Artistic Director A. Yurlov. Conductor: Kondrashin K.P. 1972 LE CHANT DU MONDE LDC 278 1001/02, 1988

Opus 13 Opus 15

Year

1927

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